The Materialistic Maiden

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Category: poetry

“Weel, Fitz, I’m here”—On Joseph Rodman Drake’s Scottish epistle, written for Fitz-Greene Halleck

For the past several weeks I have had a single poem running over and over through my mind. Because these lines have haunted me relentlessly, night and day, I feel compelled to share them. However, before we read the piece, I must provide context for the poem and its author.

“A Poet’s Epistle,” written by Joseph Rodman Drake, stems from an epistle written by Drake to his very good friend, Fitz-Greene Halleck, while abroad in Scotland. Drake, a young poet who died at age 25, acquainted himself with Halleck during Autumn of 1812, and the two “became devoted friends” very quickly, according to James Grant Wilson in his book, Life and Letters of Fitz-Greene Halleck (163). Their friendship was further solidified during the year 1813, “when Halleck, in the course of a conversation on the delights of another world, fancifully remarked that it would be heaven to ‘lounge upon the rainbow and read Tom Campbell.’ Drake was delighted with the thought, and from that hour the two poets maintained a friendship only severed by death” (163). Their friendship is furthermore evinced by the deep-rooted, brotherly love they shared, as, upon Drake’s untimely death, Fitz-Greene stated, “There will be less sunshine for me hereafter” (163). This weighted statement, paired with a poem written by Halleck and dedicated to Drake, entitled “On the Death of Joseph Rodman Drake”, showcases the profound grief that Fitz-Greene felt over the loss of Drake and provides for the reader a mere glimpse of their tragic and unabiding friendship.

Regarding “A Poet’s Epistle,” the poem seems to have made its public debut in volume 6 of the American Monthly Magazine, preceded by the following statement, “Not the least attractive pieces in this volume are those which record the intercourse of this ‘Castor and Pollux of Quizzers,’ as they were dubbed in those days when Croaker & Co. kept the town continually upon a broad grin. The ease, humour, and occasional flashes of true poetry which characterise the following epistle to Mr. Halleck, remind us of some of the happiest sallies of the Croakers…” (74). Wilson’s Life and Letters of Fitz-Greene Halleck provides even more context for the poem, as he explains, “In the spring of 1818, Dr. and Mrs. Drake, with DeKay, visited Europe….During their foreign tour, Halleck received the following poetical epistles, written by his friend Joseph Rodman Drake. The one dated May first is certainly remarkable as being the production of an American who had not been ten days in Scotland” (197-198).

Although both Wilson and the American Monthly Magazine provide slightly differing transcriptions of the poem, the one I have transcribed is borrowed from The New-York Book of Poetry, edited by Charles Fenno Hoffman, pp. 37-39.

A Poet’s Epistle.
[Written in Scotland to Fitz-Greene Halleck, Esq.]
By J. R. Drake.

Weel, Fitz, I’m here; the mair’s the pity,
I’ll wad ye curse the vera city
From which I write a braid Scots ditty
Afore I learn it;
But gif ye canna mak it suit ye,
Ye ken ye’ll burn it.

My grunzie’s got a twist until it
Thae damn’d Scotch aighs sae stuff and fill it
I doubt, wi’ a’ my doctor skill, it
‘ll keep the gait,
Not e’en my pen can scratch a billet
And write it straight.

Ye’re aiblins thinking to forgather
Wi’ a hale sheet, of muir and heather
O’ burns, and braes, and sic like blether,
To you a feast;
But stop! ye will not light on either
This time at least.

Noo stir your bries a wee and ferlie,
Then drap your lip and glower surly;
Troth! gif ye do, I’ll tell ye fairly,
Ye’ll no be right;
We’ve made our jaunt a bit too early
For sic a sight.

What it may be when summer deeds
Muir shaw and brae, wi’ bonnie weeds
Sprinkling the gowan on the meads
And broomy knowes,
I dinna ken; but now the meads
Scarce keep the cows.

For trees, puir Scotia’s sadly scanted,
A few bit pines and larches planted,
And thae, wee, knurlie, blastic, stuntit
As e’er thou sawest;
Row but a sma’ turf fence anent it,
Hech! there’s a forest.

For streams, ye’ll find a puny puddle
That would na float a shull bairn’s coble,
A cripple stool might near hand hobble
Dry-baughted ever;
Some whinstone crags to mak’ it bubble,
And there’s a river.

And then their cauld and reekie skies,
They luke ower dull to Yankee eyes;
The sun ye’d ken na if he’s rise
Amaist the day;
Just a noon blink that hardly dries
The dewy brae.

Yet leeze auld Scotland on her women,
Ilk sonzie lass and noble yeoman,
For luver’s heart or blade of foeman
O’er baith victorious;
E’en common sense, that plant uncommon,
Grows bright and glorious.

Fecks but my pen has skelp’d alang,
I’ve whistled out an unco sang
‘Bout folk I ha’ na been amang
Twa days as yet;
But, faith, the farther that I gang
The mair ye’ll get.

Sae sharpen up your lugs, for soon
I’ll tread the hazelly braes o’ Doon,
See Mungo’s well, and set my shoon
Where i’ the dark
Bauld Tammie keek’d, the drunken loon,
At cutty sark.

And I shall tread the hallowed bourne
Where Wallace blew his bugle-horn
O’er Edward’s banner, stained and torn.
What Yankee bluid
But feels its free pulse leap and burn
Where Wallace stood!

But pouk my pen! I find I’m droppin
My braw Scots style to English loppin;
I fear amaist that ye’ll be hoppin
I’d quit it quite:
If so, I e’en must think o’ stopping,
And sae, gude night.

*Note: Line one of stanza one states, “The mair’s the pity,” which may reference Sir Walter Scott’s The Black Dwarf, as the line is found verbatim here.

I was perusing the pages of Charles Fenno Hoffman’s poetry this evening, when I suddenly felt the urge to share a few of his poems—pieces which have touched my heart. I share these with the hope that you may also enjoy these exquisite, nature-themed writings.

https-::books.google.com:books?id=NUdAAQAAMAAJ&pg=PA156&dq=encyclopedia+deer&hl=en&sa=X&ved=0ahUKEwi2y9n4mKbVAhUHySYKHTdaDGoQ6AEIMTAC#v=onepage&q&f=false

From John Frost’s Grand Illustrated Encyclopedia of Animated Nature, pg. 154.

Hunt is Up, The. A Meditation

A MEDITATION .

The hunt is up —

The merry woodland shout,

That rung these echoing glades about

An hour agone,

Hath swept beyond the eastern hills,

Where, pale and lone,

The moon her mystic circle fills;

Awhile across her slowly reddening disk

The dusky larch,

As if to pierce the blue o’erhanging arch,

Lifts its tall obelisk.

And now from thicket dark,

And now from mist-wreathed river

The fire-fly’s spark

Will fitful quiver,

And bubbles round the lily’s cup

From lurking trout come coursing up,

Where stoops the wading fawn to drink:

While scared by step so near,

Uprising from the sedgy brink

The clanging bittern’s cry will sink

Upon the hunter’s ear;

Who, startled from his early sleep,

Lists for some sound approaching nigher —

Half-dreaming, lists — then turns to heap

Another fagot on his fire,

And then again, in dreams renewed,

Pursues his quarry through the wood.

And thus upon my dreaming youth,

When boyhood’s gambols pleased no more,

And young Romance, in guise of Truth,

Usurped the heart all theirs before;

Thus broke Ambition’s trumpet-note

On visions wild,

Yet blithesome as this river

On which the smiling moonbeams float

That thus have there for ages smiled,

And will thus smile for ever.

And now no more the fresh green-wood,

The forest’s fretted aisles,

And leafy domes above them bent,

And solitude

So eloquent!

Mocking the varied skill y’-blent

In Art’s most gorgeous piles —

No more can soothe my soul to sleep

Than they can awe the sounds that sweep

To hunter’s horn and merriment

Their verdant passes through,

When fresh the dun-deer leaves his scent

Upon the morning dew.

The game’s afoot! — and let the chase

Lead on, whate’er my destiny —

Though Fate her funeral drum may brace

Full soon for me!

And wave death’s pageant o’er me —

Yet now the new and untried world

Like maiden banner first unfurled,

Is glancing bright before me!

The quarry soars! and mine is now the sky,

Where, ” at what bird I please, my hawk shall fly! ”

Yet something whispers through the wood —

A voice like that perchance

Which taught the hunter of Egeria’s grove

To tame the Roman’s dominating mood,

And lower, for awhile, his conquering lance

Before the images of Law and Love —

Some mystic voice that ever since hath dwelt

Along with Echo in her dim retreat,

A voice whose influence all, at times, have felt

By wood or glen, or where on silver strand

The clasping waves of Ocean’s belt

Will clashing meet

Around the land:

It whispers me that soon — too soon

The pulses which now beat so high,

Impatient with the world to cope,

Will, like the hues of autumn sky,

Be changed and fallen ere life’s noon

Should tame its morning hope.

Yet why,

While Hope so jocund singeth

And with her plumes the gray beard’s arrow wingeth,

Should I

Think only of the barb it bringeth?

Though every dream deceive

That to my youth is dearest,

Until my heart they leave

Like forest leaf when searest —

Yet still, mid forest leaves

Where now

Its tissue thus my idle fancy weaves,

Still with heart new-blossoming

While leaves, and buds, and wild flowers spring,

At Nature’s shrine I’ll bow;

Nor seek in vain that truth in her

She keeps for her idolater.

content

From forestry; a journal of forest and estate management, pg. 521.

What is Solitude?

Not in the shadowy wood,

Not in the crag-hung glen,

Not where the echoes brood

In caves untrod by men;

Not by the black seashore,

Where barren surges break,

Not on the mountain hoar,

Not by the breezeless lake;

Not on the desert plain

Where man hath never stood,

Whether on isle or main —

Not there is solitude.

Birds are in woodland bowers;

Voices in lonely dells:

Streams to the listening hours

Talk in earth’s secret cells;

Over the gray-ribbed sand

Breathe Ocean’s frothy lips;

Over the still lake’s strand

The wild flower toward it dips;

Pluming the mountain’s crest

Life tosses in its pines,

Coursing the desert’s breast

Life in the steed’s mane shines.

Leave — if thou wouldst be lonely —

Leave Nature for the crowd;

Seek there for one — one only

With kindred mind endowed!

There — as with Nature erst

Closely thou wouldst commune —

The deep soul-music nursed

In either heart, attune!

Heart-wearied thou wilt own,

Vainly that phantom wooed,

That thou at last hast known

What is true Solitude!

content

A Peep at the Birds: With Twenty Engravings, Francis Channing Woodworth, pg. 16.

The Bob-O-Linkum

Thou vocal sprite — thou feather’d troubadour!

In pilgrim weeds through many a clime a ranger,

Com’st thou to doff thy russet suit once more

And play in foppish trim the masquing stranger?

Philosophers may teach thy whereabouts and nature;

But wise, as all of us, perforce, must think ’em,

The school-boy best hath fixed thy nomenclature,

And poets, too, must call thee Bob-O-Linkum.

Say! art thou, long ‘mid forest glooms benighted,

So glad to skim our laughing meadows over —

With our gay orchards here so much delighted,

It makes thee musical, thou airy rover?

Or are those buoyant notes the pilfer’d treasure

Of fairy isles, which thou hast learn’d to ravish

Of all their sweetest minstrelsy at pleasure,

And, Ariel-like, again on men to lavish?

They tell sad stories of thy mad-cap freaks

Wherever o’er the land thy pathway ranges;

And even in a brace of wandering weeks,

They say, alike thy song and plumage changes;

Here both are gay; and when the buds put forth,

And leafy June is shading rock and river,

Thou art unmatch’d, blithe warbler of the North,

While through the balmy air thy clear notes quiver.

Joyous, yet tender — was that gush of song

Caught from the brooks, where ‘mid its wild flowers smiling

The silent prairie listens all day long,

The only captive to such sweet beguiling;

Or didst thou, flitting through the verdurous halls

And column’d isles of western groves symphonious,

Learn from the tuneful woods, rare madrigals,

To make our flowering pastures here harmonious?

Caught’st thou thy carol from Ottawa maid,

Where, through the liquid fields of wild-rice plashing,

Brushing the ears from off the burdened blade,

Her birch canoe o’er some lone lake is flashing?

Or did the reeds of some savannah south

Detain thee while thy northern flight pursuing,

To place those melodies in thy sweet mouth,

The spice-fed winds had taught them in their wooing?

Unthrifty prodigal! — is no thought of ill

Thy ceaseless roundelay disturbing ever?

Or doth each pulse in choiring cadence still

Throb on in music till at rest for ever?

Yet now in wilder’d maze of concord floating,

‘Twould seem that glorious hymning to prolong,

Old Time in hearing thee might fall a-doting,

And pause to listen to thy rapturous song!

19th century engraving of the New Forest, UK

New Forest, UK: Link.

Primeval Woods

I.

Yes ! even here, not less than in the crowd,

Here, where yon vault in formal sweep seems piled

Upon the pines, monotonously proud,

Fit dome for fane, within whose hoary veil

No ribald voice an echo hath defiled —

Where Silence seems articulate; up-stealing

Like a low anthem’s heavenward wail: —

Oppressive on my bosom weighs the feeling

Of thoughts that language cannot shape aloud;

For song too solemn, and for prayer too wild, —

Thoughts, which beneath no human power could quail,

For lack of utterance, in abasement bow’d —

The cavern’d waves that struggle for revealing,

Upon whose idle foam alone God’s light hath smiled.

II.

Ere long thine every stream shall find a tongue,

Land of the Many Waters! But the sound

Of human music, these wild hills among,

Hath no one save the Indian mother flung

Its spell of tenderness? Oh, o’er this ground,

So redolent of Beauty , hath there play’d no breath

Of human poesy — none beside the word

Of Love, as, murmur’d these old boughs beneath,

Some fierce and savage suitor it hath bound

To gentle pleadings? Have but these been heard?

No mind, no soul here kindled but my own?

Doth not one hollow trunk about resound

With the faint echoes of a song long flown,

By shadows like itself now haply heard alone?

III.

And Ye, with all this primal growth must go!

And loiterers beneath some lowly spreading shade,

Where pasture-kissing breezes shall, ere then, have play’d,

A century hence, will doubt that there could grow

From that meek land such Titans of the glade!

Yet wherefore primal? when beneath my tread

Are roots whose thrifty growth, perchance, hath arm’d.

The Anak spearman when his trump alarm’d;

Roots that the Deluge wave hath plunged below;

Seeds that the Deluge wind hath scattered;

Berries that Eden’s warblers may have fed;

In slime of earlier worlds preserved unharmed,

Again to quicken, germinate, and blow,

Again to charm the land as erst the land they charm’d.

Happy Birthday, Charles Fenno Hoffman!

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This marks the second birthday that I get to “spend” with this deceased literary figure (and thankfully, my boyfriend doesn’t mind Hoffy too much). So, in honor of Charlie’s birthday, I’m posting his second of two Birthday-related poems. You can visit my first blog post about him by going here.

Without further ado-

A Birthday Meditation

Another year! alas, how swift,
Alinda, do these years flit by,
Like shadows thrown by clouds that drift
In flakes along a wintry sky.
Another year! another leaf
Is turn’d within life’s volume brief,
And yet not one bright page appears
Of mine within that book of years.There are some moments when I feel
As if it should not yet be so;
As if the years that from me steal
Had not a right alike to go,
And lose themselves in Time’s dark sea,
Unbuoyed up by aught from me;
Aught that the future yet might claim
To rescue from their wreck a name.

But it was love that taught me rhyme,
And it was thou that taught me love;
And if I in this idle chime
Of words a useless sluggard prove,
It was thine eyes the habit nursed,
And in their light I learn’d it first,
It is thine eyes which, day by day,
Consume my time and heart away.

And often bitter thoughts arise
Of what I’ve lost in loving thee,
And in my breast my spirit dies,
The gloomy cloud around to see
Of baffled hopes and ruin’d powers
Of mind, and miserable hours —
Of self-upbraiding, and despair —
Of heart, too strong and fierce to bear.

“Why, what a peasant slave am I, ”
To bow my mind and bend my knee
To woman in idolatry,
Who takes no thought of mine or me.
O God! that I could breathe my life
On battle-plain in charging strife —
In one mad impulse pour my soul
Far beyond passion’s base control.

Thus do my jarring thoughts revolve
Their gather’d causes of offence,
Until I in my heart resolve
To dash thine angel image thence;
When some bright look, some accent kind,
Comes freshly in my heated mind,
And scares, like newly flushing day,
These brooding thoughts like owls away.

And then for hours and hours I muse
On things that might, yet will not be,
Till one by one my feelings lose
Their passionate intensity,
And steal away in visions soft,
Which on wild wing those feelings waft
Far, far beyond the drear domain
Of reason and her freezing reign.

And now again from their gay track
I call, as I despondent sit,
Once more these truant fancies back
Which round my brain so idly flit;
And some I treasure, some I blush
To own — and these I try to crush —
And some, too wild for reason’s rein,
I loose in idle rhyme again.

And even thus my moments fly,
And even thus my hours decay,
And even thus my years slip by,
My life itself is wiled away;
But distant still the mounting hope,
The burning wish with men to cope
In aught that minds of iron mould
May do or dare for fame or gold.

Another year! another year,
A LINDA , it shall not be so;
Both love and lays forswear I here,
As I’ve forsworn thee long ago.
That name, which thou wouldst never share,
Proudly shall fame emblazon where
On pumps and corners posters stick it,
The highest on the J ACKSON ticket.

Arboreal Whispers

(An original.)

Lonely forest, dim, deep, and dank,
With tarnished branches chaotically swaying,
Dance in your own denial, parading-
Let musky vapors ensue with haste.

Imbibing corpses jest and cheer,
The harvest moon beams with approbation
Lighting the shadowy hill in elation;
The time of death grows ever near.

Hands writhe and seize and penetrate
The ashen ground, and folly
Evaporates into misty melancholy
Stealing upon windowpane slates.

Beckon to the reaper’s call,
Slip into spirit and out of skin,
Should it fit, come, you’re invited in-
We’ll lay your gauzy funeral pall.

Happy Valentine’s Day!

Dearest friends, today is Valentine’s Day (in case you couldn’t tell from the title). So, to celebrate, I thought I would post a poem from our very own Charles Fenno Hoffman, America’s sweetheart!

St. Valentine’s Day

The snow yet in the hollow lies;
But, where by shelvy hill ’tis seen,
In myriad rills it trickling flies
To lace the slope with threads of green;
Down in the meadow glancing wings
Flit in the sunshine round a tree,
Where still a frosted apple clings,
Regale for early Chickadee:

And chestnut buds begin to swell,
Where flying squirrels peep to know
If from the tree-top, yet, ’twere well
To sail on leathery wing below —
As gently shy and timorsome,
Still holds she back who should be mine;
Come, Spring, to her coy bosom, come,
And warm it toward her Valentine!

Come, Spring, and with the breeze that calls
The wind-flower by the hill-side rill,

The soft breeze that by orchard walls
First dallies with the daffodil —
Come lift the tresses from her cheek,
And let me see the blush divine,
That mantling there, those curls would seek
To hide from her true Valentine.

Come, Spring, and with the Red-breast’s note,
That tells of bridal tenderness,
Where on the breeze he’ll warbling float
Afar his nesting mate to bless —
Come, whisper, ’tis not always Spring!
When birds may mate on every spray —
That April boughs cease blossoming!
With love it is not always May!

Come, touch her heart with thy soft tale,
Of tears within the floweret’s cup,
Of fairest things that soonest fail,
Of hopes we vainly garner up —
And while, that gentle heart to melt,
Like mingled wreath, such tale you twine,
Whisper what lasting bliss were felt
In lot shared with her Valentine.

Now go and eat a lot of candy. Rot your teeth away.

Happy Birthday, Charles Fenno Hoffman!

Today is the Birthday of one of my favorite nineteenth century writers, Charles Fenno Hoffman.

Charles_Fenno_Hoffman

In honor of his Birthday today, I thought I’d add a quick blurb about him before sharing a couple of his poems.

Born in New York, February 7, 1806, he grew up in a “socially and politically prominent” household with parents Joseph Ogden and Maria Fenno Hoffman (Barnes 17).

At eighteen, he had nearly completed studies at Columbia College and began studying law. At twenty-one, he was admitted to the bar. He abandoned law for writing, however, and wrote anonymously for the New York American (456). In 1835, he published his first book, A Winter in the West, a two-part book documenting his travels from New York to St. Louis. This was significant as it was one of the most complete works documenting travels this way, especially as far as St. Louis, Missouri. His second work, Wild Scenes in the Forest and Prairie, was published in 1837, which was followed by his most notable novel, Greyslaer, in 1840 (457). Hoffman was the founder of the Knickerbocker magazine, edited for the New York Mirror, and in 1843 published The Vigil of Faith, a book of poetry (457).

In 1849, he “went insane,” which was an oh-so very nice way of saying he was manic depressive. He was admitted permanently to the Harrisburg State Hospital in Pennsylvania, where he remained until his death on June 7, 1884.

Despite his condition, Hoffman was known to many friends for being genial and good-natured. According to an account by William Keese, he is described as follows:

He was a general favorite in society, and his wit, bright intelligence, and genial manners, made his companionship very attractive. He was loved by the young, for he sympathized with them in their sports and enthusiasms, and from his knowledge of nature and his own adventurous experience drew the stories that take children captive. He was a gallant and noble gentleman, and a wide circle of friends mourned the affliction that befell him (Lamb 152).

He was perseverant, compassionate, honorable, and loyal. He was close to the anthologist and Edgar Allan Poe’s defamer, Rufus Griswold, and was even deeply in love at one point in his life. His poetry documents the turmoils of love and rejection, the beauty of nature and afflictions of growing up. In one poem, which I am going to post below, written on his 25th Birthday, Hoffman recollects his life up until that point and bemoans himself for his lack of accomplishments:

Birthday Thoughts
by Charles Fenno Hoffman

At twenty-five — at twenty-five,
The heart should not be cold;
It still is young in deeds to strive,
Though half life’s tale be told;
And Fame should keep its youth alive,
If Love would make it old.

But mine is like that plant which grew
And wither’d in a night,
Which from the skies of midnight drew
Its ripening and its blight —
Matured in Heaven’s tears of dew,
And faded ere her light.

Its hues, in sorrow’s darkness born,
In tears were foster’d first;
Its powers, from passion’s frenzy drawn,
In passion’s gloom were nurs’d —
And perishing ere manhood’s dawn,
Did prematurely burst.

Yet all I’ve learnt from hours rife
With painful brooding here
Is that, amid this mortal strife,
The lapse of every year
But takes away a hope from life,
And adds to death a fear.

(Source.)

Was this man truly unaccomplished? I do not think so. He was strong-willed, intelligent, and is remembered by any and all who happen to stumble upon his writings. (So, basically, I pretty much love this guy, so I’m pretty biased with most of what was said in this post. Whoops.)

Punctuation Issues Aside, a New Poem

Whimpering Psithurism

Effervescently pace the foliage,
Lithe fairy footsteps careful to step untrodden ground-
The trees shift and tremble, projecting history into forbidden spaces,
Dark, unforgotten places revealing ghostly shadows, distant war heroes,
the selfish plight of war that ignited pain, continues imprinting bloody carbon marks within the roots.
We break the land below our pitter-pattering,
They stomped with chemical-laden boots-
Mother earth cries bitter tears frozen by this winter wind,
biting whispers blowing lies of freedom into her hopeful heart.
Her cracked soil and crisp limbs moan and creak.
Her heart has long ago since shattered,
Only to be replaced by manufactured glass shards shaped and molded by unpaid hands.
Ethereal memories and unpromising futures destroy-
Watch how the dim night struggles to throw her blanket upon our souls dutifully,
trying to entwine, envelope us to mother nature.
Watch how we ignore them.

4-10-14

Death is in my coffee,
and it tastes of a bittersweet desire.
The aroma of chaos infiltrates my solemn corner
enveloped by shadows of the morn.
Death has always been kind,
although not always voluntarily there
when needed most,
at hours when temptations arise
and the heart grows weary,
longing to feel poisonous fingers
brushing the hair from my cheek,
wipe the tear from my weak heart.

Let us romp with the ghouls in gleeful delight,
wander among the tombstones,
galavant with the ghouls who beckon and inquire,
“Won’t you stay awhile?” 
Let us go there, you and I,
where nailess fingers grope for our souls,
where fallen markers forget their deceased–
for we soon will join them, you must know.

Nature loves to dance and sing,
and dwell among the pretty things,
to drink and dine with the fair king
of all her rolling swells.

His tender blades caress her cheek,
she turns her heart towards him to sing
and through the steady night they’ll cling
amongst the weeping bells.

The moon lays yonder amidst the tide,
the cobalt waves crash at her side;
she awaits her lover, the luminous sun,
whose flames betook her heart.

At world’s end is where they’ll meet,
each turn and kiss the other’s cheek,
and chat awhile before they’ll sleep—
their time is far too short.

The compassionate love of nature’s bliss
is often looked far over—amiss—
but where jaded minds clash with fists,
nature’s peace shall reign.

The moon and sun, the stars and sky
will upturn their matron eyes
and guide each lonely passerby
who is loveless and in pain.

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